Piano: G Lydian Over the Changes
Where G Lydian lies at this seat, and what a chorus takes out of it.
G Lydian runs 7 notes to the octave, laid out here across 88 keys with every G flagged. Mid-chorus the pattern is not what you need; where the root is when the chord changes underneath you is.
Major with a raised 4th (#4) — dreamy, ethereal, and floating. Often called the brightest mode, with an otherworldly suspended quality.
Heard in: Film scores, progressive rock, jazz — Joe Satriani's "Flying in a Blue Dream", John Williams, Steve Vai.
The right hand takes the line and the left keeps stating the chord under it, which makes a scale at this seat a two-handed problem: the notes have to work against a voicing you are choosing at the same time.
Play it slowly against the audio until it stops being a shape, then put it over two bars of a form and let the chord tones decide which of the notes you actually keep.