Electric Bass: E Blues Over the Changes
Where E Blues lies at this seat, and what a chorus takes out of it.
E Blues runs 6 notes to the octave, laid out here on EADG with every E flagged. Mid-chorus the pattern is not what you need; where the root is when the chord changes underneath you is.
The minor pentatonic with a b5 "blue note" wedged in — that one extra note adds grit, tension, and a sly, vocal quality. Tough, expressive, and unmistakably bluesy.
Heard in: Blues, rock, jazz, rhythm and blues, and boogie-woogie — Delta and Chicago blues, Hendrix, Clapton, Stevie Ray Vaughan.
The electric bass can hold a note long enough for it to be heard as a choice rather than a step, so a scale here is read for its strong tones first and its passing tones second.
Play it slowly against the audio until it stops being a shape, then put it over two bars of a form and let the chord tones decide which of the notes you actually keep.